Before Royal Blood electrified the globe with their thunderous, hard rock tunes, they were but an ominous duo rumbling local bars and recording demos along the east coast of Australia and Great Britain.
As they blemished the walls of pubs and clubs with their sonic grit and broadcasted their brash and bluesy tunes, bassist, Mike Kerr and drummer, Matt Swan found themselves thrusted into the musical spotlight, earning comparisons to early Muse and Led Zeppelin.
It was only after the release of their debut single, “Come On Over” (previously “Leaving”), which saw Matt Swan depart the blues rock duo to embark on his own sonic endeavours. Fast forward to July 2019 and Swanny (Matt Swan) has released his debut single – an absolute hip-swinger of a single entitled, “Sweat Baby Sweat”.
Swanny has said, “Sweat Baby Sweat is simply about letting the good times roll live life to the max – life is one big party. It was written after a long hot Summer’s night of no sleep in Byron Bay in 2018. I had just got home in the early hours of the morning after playing drums at one of Byron Bay’s crazy warehouse parties – I picked up the guitar, cracked another beer and the main riff quickly came to me. I then laid down some drums and Sweat Baby Sweat was born.”
Swanny‘s “Sweat Baby Sweat” drips with his signature tribal and thunderous drumming, while his raw vocals provide a sensory experience reminiscent of Led Zeppelin and Kram (Spiderbait). Now that we can grasp what Swanny is like on his lonesome, we can truly hear how he has shaped the sound we know as Royal Blood and how his drumming has effectively helped revive a new era of Rock n Roll.
If you’re a fan of Royal Blood, Kram, Led Zeppelin, Torrential Thrill and everything in between, be sure to get around this tasty jam, it’s definitely worth a listen.
The single saw the light of day on all digital outlets and streaming platforms on Friday July 5th.
Category: Uncategorized
artisan gallery: connecting makers and spectators
The art and design scene in Brisbane is thriving, vibrant and diverse, and a cherished element of our community. Enabling our Brisbanite and Australian creatives to spread their wings has the potential to enrich us all, as the people at artisan have always known.
Founded in 1970, artisan is proudly referred to as ‘the Queensland home of craft and design’ by its members. A beautiful modern space at 45 Kings Street, in Bowen Hills, artisan supports and promotes craft and design practices through a year-round calendar of exhibitions, event and workshops, as well as its on-site store.
This not-for-profit organisation aims to share, celebrate and offer advocacy for local and nationwide creatives, whatever their practice; whatever their medium. Their focus is on community collaboration, heavily involving the audience in the work of the makers through their many workshops and their hands-on approach to art, exhibition curation and celebration.
artisan is operated by a team whose members are themselves makers and creators. They have a first-hand understanding of the struggles facing budding artists and the challenges of making your way in the art world. This enables them to offer targeted support to their many protegees, bringing out the best in them.
One of the avenues through which artisan supports Australian makers is via their stunning on-site store. Home to the handmade and unique creations of over 100 Australian artists, this beautifully designed and curated space is more gallery than store, with jewellery, ceramics, glass, fabric, weaving and ornaments available to be perused and purchased.
This is the perfect place to buy one-off, handcrafted and thoughtful gifts for friends and family, or yourself and your home. The items here are all lovingly made with either traditional artisanal skills or contemporary design and manufacture practices, but most often a delightful combination of both. What’s more, purchases made at the artisan store truly make a difference to a maker’s experience.
The friendly staff at the store are intimately acquainted with each of the items on display, including their makers and their stories. Ask them about pieces you are interested in to gain insightful glimpses into the creative processes behind them, helping you to choose personal and pertinent gifts that will be cherished for years to come.
artisan also supports and celebrates its members through its full-on calendar of exhibitions and events, housed in the on-site gallery or workshop space. If you’re keen to get involved with your local creative community and support artists nationwide, why not head on down to check out some upcoming events?
Exhibitions
AGENCY BY DESIGN: Expressive Design for Disability
Main Gallery
11 May – 13 July
This exhibition explores the full breadth of designing for disability, with a focus on individual expressive and physical needs, which cannot be met with a one-size-fits-all attitude. The exhibition includes jewellery, apparel, ocular prosthetics, furniture and technology.
HELEN WYATT: I WALK THE LINE
Small Object Space
11 May – 13 July
Helen Wyatt’s wearable jewellery designs are centred around a visualisation of edges, borders and fences as transitional sites between nature and culture.
MAKE IT: TOOLS, TECHNIQUE & TIME
Main Gallery
20 July – 14 September
Man’s intimate relationship with tools and creating is investigated in this exploration of the thousands of years of evolution behind each new item in our toolbox.
Workshops
The workshop calendar at artisan is so exciting and diverse; I don’t even know where to begin. The workshops are quite regular and frequent but tend to sell out quickly, so make sure you get in there early if you see something you’re interested in!
BRASS & TIMBER BANGLE with Kirralee & Co
When: Saturday 29 June 2019
Time: 1:00pm
Play around with a variety of workshop tools, including a mandrel for bending brass, a vice, Dremel and a drill press, as well as materials such as steel wool and epoxy glue, as Kirralee Robinson walks you through the creation of your very own brass and timber bangle.
BOOK SMITHING with Sam Parsons
When: Saturday 13 July 2019
Time: 10:30am
Repurpose illustrations from old books using simple stitching methods to embellish, personalise and add texture. Create artwork to frame, take home or offer as a gift.
SCIENTIFIC GLASS TALK & DEMO with Jarred Wright
Date: Saturday 20 July
Time: 11:00am
Learn about the dying art of scientific glass blowing, and watch one of the last few practitioners in action!
CREATIVE GLASSWARE SANDBLASTING with Jo Bone & Aaron Micallef
When: Saturday 27 July
Time: 10:30am
Work with these two established artists to master the processes of stencilling, masking and sandblasting, creating your own personalised matching glassware to take home.
LEATHER SANDAL MAKING with The Shoe Camaraderie
When: Saturday 7 September
Time: 9:30am – 5:30pm
Spend the day creating your very own leather sandals from scratch while enjoying tea and coffee in the morning and cheese and wine in the afternoon.
For more information go to https://artisan.org.au
The Maryborough Story Bank and the Value of Heritage
Maryborough is a town rich and varied in heritage. Rival to Brisbane for the prestigious status of the new state capital, it was the second most important port on the east coast, a hub for the passage of goods, people and information. This fascinating history also makes Maryborough host to a surprising number of ‘first and oldest’ claims.
Today, this heritage is still visible in the charming streets and the iconic architecture which make up the enchanting City Heart and Portside precincts. Visiting Maryborough is one of the most immersive heritage tourism experiences in Queensland.
The Fraser Coast Regional Council is dedicated to the region’s culture and heritage, prioritising the exploration of its diversity and the furthering of culture initiatives throughout the area. This is where the heritage-listed building which was home to the Australian Joint Stock Bank, comes into the story.
331 Kent Street, formerly the Australian Joint Stock Bank, was also the birthplace of PL Travers. The imaginative and fun-loving creator of Mary Poppins spent a magical childhood living upstairs in the Bank Manager’s quarters and playing in the streets and riverside haunts of Maryborough. Relocating to England at the age of 25, she changed her name from Helen Lyndon Goff to Pamela Lyndon Travers and began writing the first of eight Mary Poppins books.
In 2015, the Council acquired this beautiful and storied building, vowing to restore it to its forming glory, and reuse it as a creative space celebrating its heritage.
Due to open in 2019, the Story Bank will be an innovative, interpretive centre, paying homage to the life and works of PL Travers, Maryborough’s unique social and cultural history, and the stories of the Butchulla people of the Fraser Coast, most significantly through an ode to the Legends of Moorie Jarl. Written by Wilf Reeves and his sister in 1964, this was the first Aboriginal children’s book, commemorating the stories and legends of the Butchulla people. I find it very appropriate to celebrate the first Aboriginal children’s book alongside the local authoress who dedicated her life to honouring childhood.
The Council’s vision is to assemble a bank of stories, a home for storytellers to pass on the cultural heritage of the Fraser Coast communities. The aim is for stories to continue to be deposited well into the future, and withdrawn and perused by locals and visitors alike. The Story Bank will feature interactive displays, artists-in-residence opportunities, workshops, design features, and meeting places for creative pursuits of all kinds.
The Council is seeking expressions of interest from Queensland-based artists for a slew of quirky and mind-bending commissioned pieces, such as interactive bookcases with hidey-holes; a Village of Fairytales carved into the spines of books, replicating Cherry Tree Lane; a Very Little People display in the nooks and crannies of a cabinet of curiosities; and a Staircase of Stories, making use of the interplay of light and shadow to create other-worldly sensations.
To get involved in this weird and wonderful project, or to find out more, have a look at the commission guidelines: http://www.ourfrasercoast.com.au/Portals/0/Story%20Bank%20Art%20Collection%20-%20Guidelines.pdf?ver=2018-10-12-013455-977, and keep an eye on Brisbane Art Guide’s updates, http://bneart.com/story-bank-art-collection/.
Creative hub breathes life into local arts scene
The Metro Arts Centre has been a cornerstone of Brisbane’s creative scene since the 1980s, always pushing the boundaries of what art can do and where it can take us. Within this five-story heritage building, local artists are enabled and supported in their pursuit of creation; here they can take risks, experiment, develop their ideas and projects, and present them to the public in a wide range of media and spaces. Let’s take a look inside this magical space where art and community collide.
The Building
The Metro Arts Centre is housed in a highly storied heritage-listed building. This timber and brick structure, standing proud at 109-117 Edward Street, started its life as a warehouse in the 1890s, when it was home to a series of manufacturing agents and importers. After World War Two, it was acquired by the Australian Government and used as office space for various government departments, but by 1976 they had all moved to grander, more suitable quarters. This freed up the building to evolve into its current incarnation: work began immediately to convert into a community arts centre, which opened officially in 1981.
The Spaces
Today, this building steeped in history provides artists with workspaces, show spaces, and rooms for rehearsals, classes, workshops, and seminars, as well as accommodating a variety of artistic media. The rooms can be rented out at reasonable prices for any creative pursuits you can think of which are in line with the centre’s value and priorities.
The Carriageway
The carriageway is a graffiti-filled underpass with a funky urban-grit vibe, ideal for events, photos or video shoots.
Studios
Studios in a range of sizes are available for creative practitioners to work in autonomously, surrounded by like-minded individuals in a cohesive community environment.
Level 2 Gallery
This timber-floored venue can hold up to 160 patrons and is home to Metro Arts’ Exhibition Programme. It’s also ideal for any events where mingling and perusing are encouraged.
Basement
The timber floors and red-brick walls of the basement give this open plan space a distinctly industrial vibe. With its capacity for up to 40 people, it provides a more intimate space for a wide variety of events.
Sue Benner Theatre
With 97 seats, this intimate theatrical venue is an ideal platform for live performances.
Whitlam Space
Large, flooded with natural light, and flanked with mirrored walls, this room is perfect for classes and workshops of any kind, from burlesque to painting, through photography and filmography.
Level 4 Warehouse
Similar to Whitlam but without the mirrors, this space is perfect for workshops, exhibitions, and classes.
Lumen Room
This converted cinema room can hold up to 115 people and is ideal for both film screenings and live events.
You can visit the Metro Arts Centre anytime, and gain insightful glimpses into the artistic process, community building, and a world where the only limit is your imagination.
Events
With its wide range of spaces, the Metro Arts Centre is host to a diverse cohort of activities, from theatrical productions, music, and cabaret performances to art and dance classes, workshops, and exhibitions. Some upcoming features include
Kill Climate Deniers – 15-25 May
A provocative and controversial examination of the climate change debate, this meta-film looks at the crisis from the fictional point of view of a group of eco-terrorists, and through the lens of the director’s own struggles with conservative media.
Magpie – 29 May-8 June
A coming-of-age play that explores family relationships and the nature of success.
Life on Earth – 5-15 June
A mixed-media exploration of the artist’s perspective on climate change and humanity’s impact on biodiversity.
We Koppel, We Dala – 26 June – 18 July
A South-African perspective on authenticity, identity, and self-representation, reminding us of how Apartheid’s legacy lives on worldwide.
Love and Information – 31 July-10 August
This play in 58 scenes matter-of-factly and empathetically examines how we distil information and meaning from our surroundings and interactions in our search for love and understanding.
For more information, check out their programme and rates at https://metroarts.com.au/whats-on/.
Tipsy Art: more than just a paint palette
A good glass of wine has always had the power to enhance our creative abilities or to fool us into believing we had any in the first place. This perfect pairing of art and alcohol has finally made it into the mainstream, with “Sip n’ Paint” studios popping up everywhere, and becoming legitimate alternatives to the gal’s night out, date night, and even bachelor/ette parties. Inhibitions are lowered, free and easy conversation flows, and suddenly, we can paint!
What are “Sip n’ Paint” studios? They are magical spaces where professional instructors lead you step-by-step through the process of painting your own masterpiece. All the materials and music are provided; you only need to bring your own poison! This could be wine, beer, champagne, or juice, which you can store in the refrigerators on-site. These events are becoming highly popular, so I recommend booking your seat a few weeks in advance. What better way to enjoy some downtime with your friends, and get in touch with your creative side?
“Sip n’ Paint” studios are open to all abilities, from those of us who have never picked up a paintbrush before, to consummate professionals. The instructors leave a lot of room for creative freedoms, guiding you through the basic techniques used to achieve the desired effect but bequeathing the choice of colours, and the exact nature of the details, to you. This ensures everyone is working within their comfort zone while learning something new. It also means no two artworks are the same at the end of the session, and taking some time to stroll around the studio admiring the various interpretations of the original design is fascinating and enlightening, and an excellent ice breaker.
The concept has become so popular that there are even alternatives available for those who dislike wine or aren’t painters at heart. Prefer a beer? Then “Paint n’ Pint” events are more up your alley. Is painting not your thing? Try “Drinky Drawy” sessions instead. Are you bored with painting on canvas? Have a go at free-flow acrylic pouring or painting on your clothes. The truly fashion-forward venues even provide snacks, from cheese and charcuterie boards to full-blown canapes.
For your next night out in Brisbane, consider one of the following venues to get your creative juices flowing as you sip your favourite drink and chill with your favourite people:
CORK & CHROMA | SOUTH BRISBANE
Cork and Chroma have a pop-up studio in Southbank and a permanent set-up in West End, where they host daily workshops with fabulous instructors and cheese mezze board options.
NAÏM | PADDINGTON
Maybe painting isn’t for you? Then Naim’s Drinky Drawy sessions might hit the spot. They don’t have a regular roster of events, so make sure to keep an eye on their programme for upcoming classes! This one is slightly different in that the art supplies are BYO, but a drink is included in your $10 ticket cost.
VINE AND ART
All classes at Vine and Art are hosted by their resident artists Kaz Bull, and they offer private sessions as well as the group classes, where you can choose your own subject! And they have cheese boards.
AETHER BREWING CO. | MILTON
The Black Canvas Co. hosts monthly Paint ’n’ Pints events at the Aether Brewing Co., where you can try your hand at anything from plants to The Great Wave of Kanagawa.
MONTANA ART PROJECT | WEST END
This one is a bit different. Montana Art Project offers everything from free flow acrylic pouring to paint-your-own-jeans lessons, with a complimentary glass of champagne on arrival, and the option to BYO beer, wine and soft drink.
BRUSH & BARREL | FORTITUDE VALLEY
Brush and Barrel are most famous for their “Paint your Pet” classes, but you can try your hand at Banksy, Picasso and signature Brush & Barrel pieces every other day.
PAINT ‘N POUR | VARIOUS
This one is slightly fancier. With a two-hour drink tab and charcuterie boards to snack on, a Paint n’ Pour event is sure to bring out the best and booziest artist in everyone. Paint n’ Pour also offer weekly sessions at both MD’s Italian Kitchen & Bar and The Belvedere, with over 30 themes to choose from.
YOUR CREATIVE PALETTE
This studio is the ideal location to spread your creative wings under the attentive, yet never over-bearing, gaze of industry professionals. Everything is provided, so sip-and-paint away!
TOASTED CAFÉ | EVERTON PARK
MK Gallery brings out the best in us with their perfect combination of our three favourite activities: painting, sipping and nibbling. Art materials and canapés created by Toasted’s own chef are provided, so all we need to worry about is our drink.
Local artists form to create Verge Collective
VERGE Collective was born when six emerging photography and new media artists came together to bring to life their vision of an innovative and unique collaborative platform. Their goal was to initiate and implement professional and artistic development opportunities tailored to their lives as women, as they juggle work and family commitments, all the while striving to expand their creative businesses.
Vanessa Bertagnole, Julia Scott Green, Christine Ko, Lisa Kurtz, Tamara Whyte and Emma Wright achieved the double accomplishment of re-invigorating their own creative practices and the Brisbane arts scene when they banded together to become VERGE.
Their collaborative and supportive ethos breathes an authentic sense of community and safety into their practice, building a symbolic and protean space where they can take risks and grow, both artistically and personally. Learning from each other, they can push their collective and individual work into new territories, experimenting with unfamiliar media, unusual combinations, new canvases, and unique spaces.
Proof of their innovative spirit and breadth of experimentation lies in the diversity of their collective and individual CV, which has been highly awarded. In 2018, they were finalists in the CLIP Landscape awards and received a Highly Commended in the Clayton Utz awards. Their collective CV of exhibitions, awards, and residencies is impressive https://www.vergecollective.com.au/about.
Their most recent, and to my mind, most exciting projects were their 2018 Brisbane Super Natural Exhibition (Nov-Dec 2018), at Vacant Assembly, and their Depth of Field residency in Boonah.
Depth of Field pushed the artists far beyond their comfort zones, as they were encouraged to respond intimately to their physical surroundings in the Scenic Rim, creating site-specific, interactive mixed media installations, projections, and performances. Through their interaction with their environment, the ladies of VERGE investigated and led the audience to examine the rural-urban dichotomy of regional Australia and its implications for the human and natural worlds. The work was both artistically and physically challenging as they sought creative and thought-provoking ways to express the environment in their pieces.
Super Natural was also a study of the tensions in the natural and urban worlds. Through installations, photography, and videos, VERGE sifted through the underlying dissonance that arises from “the urbanite ambivalence to the ‘natural’ world,” drawing out whispers of the eerie and unfamiliar that lies between the cracks in our relationship with the landscape. The result is indeed an eerie, uncomfortable, yet magical and fascinating experience as you wander through the spaces of Vacant Assembly, noticing, perhaps for the first time, the discrepancies between our interpretations of the landscape, and its reality.
VERGE bring with them a promise of renewed energy and community spirit in the Brisbane art world, continuing their innovative and pertinent ventures into social tensions and relationships. They show us the beautiful, the disconcerting, and the disarming in their commentary on our interactions with the world.
From rubble to ritz: a guide to Brisbane’s street art surge
Brisbane is a city of many faces. Innovative academia, a vibrant art scene and outdoors and athletic lifestyles rub shoulders seamlessly, while pubs thrive alongside high-society parties and fine international dining, and grunge meets rural grit and urban chic.
Another facet of Brisbane’s identity, which has been gaining ground and coming to the forefront of the city’s creative scene since 2015, is street art.
Though you may not necessarily notice as you go about your day, Brisbane’s walls, pillars, and bridges are covered in lively and sometimes provocative pieces of artwork, many by local artists. This artistic outburst is encouraged and supported by the Brisbane City Council, which sees it as a chance to build a collaborative and positive relationship between local creatives and the wider community, as well as an effective way of embellishing the city.
The Council’s key projects regarding street art are the Artforce community project, through which local artists create original pieces on the city’s thousands of traffic signal boxes, and Brisbane Canvas, a series of council-commissioned pieces of artwork around the city.
The Council sees this collaboration with local artists as an essential way of bringing everyday structures to life and creating a city that is unique and colourful, somewhere that people are both happy to live in and keen to visit.
The Brisbane Canvas project is always growing, and the council website provides you with details of locations so that you can admire these pieces in situ.
Some of my personal highlights include David Houghton’s Froglife, at Bridgeman Downs, Guido Van Helten’s Untitled on Boundary Street, Jess Kease’s Tropical Flora at the Thornton Street underpass in Kangaroo Point, and Frank and Mimi’s If Only You Knew in Arch Lane.
When the city is your canvas, the interaction between artist and location is all the more intense and purposeful, creating a strong bond between the structure, the artist, and the audience, who must visit the site itself to understand the artwork fully, rather than merely appreciating it from a photograph.
If you’d like to know more, get in touch with Urban Smarts Project, and if you’re a resident of Brisbane City, apply and see if they approve your designs!
Street art does as street art will do, and the canvas that is Brisbane city is continuously evolving around and beyond the Council’s influence. Street art aficionados have designed full-blown street art walking tours to take you around the city’s not-so-council-approved highlights (https://blog.queensland.com/2015/09/07/brisbane-street-art/; https://www.weekendnotes.com/top-graffiti-and-street-art-spots-brisbane/), and the Brisbane City Greeters also know the best spots if you request a street art-themed tour from them at the Tourist Information Centre or online (https://www.visitbrisbane.com.au/brisbane-greeters?sc_lang=en-au).
It’s beautiful that the creative impulses of independent artists and the desires of the Council can coincide and collaborate in such organic and symbiotic ways.
Brisbane City Council also shows its support for the local artist community through its patronage of the Brisbane Street Art Festival (BSAF), alongside other state and local organisations, commercial enterprises, and academic institutions.
Since 2016, BSAF has brought local, national, and international artists together to build on Brisbane’s cultural identity as a creative’s city, boasting Australia’s most extensive street art festival programme. This year, the programme has doubled in size and diversity, and promises to deliver art and excitement as never before. Over two weeks, from the 4th to the 19th of May 2019, Brisbane will be abuzz with live mural art, music and theatre performances, exhibitions, master classes, and workshops. With something for everyone, this year’s BSAF is a must-do in Brisbane. The best part of BSAF is that it’s free for everyone to attend!
One of the festival’s strengths is their cooperation with local institutions, bringing together diverse aspects of life in Brisbane and providing a model of collaboration and unity of purpose.
Last year, QUT became a canvas for Mexican artist Said Dokins at their Garden’s Point Campus, and continuing their partnership with BSAF, will be hosting an Argentinian duo at their Kelvin Grove Campus this year. Medianeras have been embellishing streets worldwide for over ten years and have participated in countless festivals, so they’re sure to be worth watching as they paint our city!
The festival is also known for supporting local talent, and one of this year’s most challenging canvases, ten pillars under the AirTrain railway at the Toombul centre, goes to proud Brissy local Leans, an artist who is famous for his abstract re-interpretations of architectural features. His live mural show is guaranteed to be captivating as his abstract architectural style meets physical architectural features. As well as this, throughout the festival West End’s West Village will be transformed into a street art gallery, where local works of all shapes and sizes will adorn the walls and be available for the public to admire. The exhibition also includes several notable interstate and international artists and is the ideal way to immerse oneself in the diversity and pertinence of street art.
Projects like Artforce, Brisbane Canvas, and BSAF bring together diverse facets of Brisbane’s society, strengthening community ties and helping to increase social capital amongst various groups. Channelling the creative energy of such a wide range of artists and institutions into city-wide projects can only help strengthen Brisbane’s community and cohesion, all the while embellishing a living environment we already love.
Sea N Sound delivers stellar line-up led by Amy Shark
One of Queensland’s biggest music festivals is back for another year, and it comes with everything that the Sunshine State is famous for – Mooloolaba’s famous Seafood, craft beer, gourmet food – and it’s all topped off with a stellar line up of Aussie artists led by Aria Award winning Amy Shark.
Joining Amy Shark will be Busby Marou, Didirri, Ali Barter, Kyle Lionhart, I Know Leopard, Cheap Fakes and Living Robins, making this year’s lineup the festival’s biggest bill yet.
Last year saw Amy Shark celebrate a milestone with the release of her chart-topping album, Love Monster, which won 2018 Album of the Year at the ARIA’s. She also blew away audiences in all parts of the globe as she toured internationally, sold out shows across Australia, scored spots on the Hottest 100 list and sealed it off with just a few ARIA wins.
Emerging as one of Australia’s most promising artists is Busby Marou, who are currently busy gearing up for a big year themselves with their fourth album set for release mid this year. But in the meantime, they’re basking in the success of their recent hit, ‘Sound of Summer’.
Another act that is greatly anticipated is the one and only Didirri – the artist behind the indie hits ‘Can’t get last night out of my head’ and ‘Formaldehye’.
Renowned for his genuine storytelling and immersive live performances, Didirri will serenade Sea N Sound audiences, while Ali Barter performs a searing set garnering tunes from her 2017 album, A Suitable Girl.
Treasured by the local Sunshine Coast scene is OKA, a group who have amassed fans from all over the world with their self-described “Australian earth music with sublime dimensions.”
Furthering the good vibes will also be rising star Kyle Lionhart, indie rockers I Know Leopard, genre-blenders Cheap Fakes and local legend Livi Robins. This year’s Sea N Sound is set to not only be sonically diverse, but one that is for the books, so prepare yourselves for any possible giveaways or promos!
General tickets went on sale Friday, February 30th, so get in quick before they sell out!
