4 documentaries that will educate you on black oppression in Australia

While Australia throws stones at the US for its ongoing racist police brutality, we should first scratch beneath the surface of our own history and social fabric to acknowledge the injustices Australian Aboriginals continue to experience.

Forget the ‘lucky country’ bullshit; if you’re unaware of how the rights of Indigenous Australians are being undermined, it’s time to educate yourself.

Take for instance the final words of 26-year-old Dunghutti man, David Dungay Jr, who died in a south-eastern Sydney prison in 2015 after prison officers restrained him and left him unable to breathe.

An inquest in 2019 showed footage of Mr Dungay being restrained face down by up to five jail officers as he yelled “I can’t breathe” twelve times.

Not only did this case fail to pierce the public sphere and gain media attention, but it also failed to result in disciplinary legal action. But, is this a surprise?

Since 1980, despite there being more than 500 First Nations deaths in custody, there has been not one successful homicide prosecution laid down in court.

However, police brutality is just a sliver of what First Australians have had to endure since colonisation – ever since the flag was hoisted in Botany Bay in 1770, the plight of the Aborigine has remained constant.

From one of the darkest chapters of Australian history – the stolen generations – to the ongoing scourge of forced remote community closures, our country’s paternalistic approach to policy has restricted Indigenous Australians from retaining their cultural identity.

To provide a broader perspective, we’ve compiled a list of 4 documentaries that investigate some of the issues underlying current Aboriginal disadvantage.

Our Generation

Our Generation is a documentary feature from Sinem Saban and Damien Curtis that takes us on a journey into white Australia’s relationship with Indigenous Australians.

More particularly, it looks at the Northern Territory Emergency Response (NTER), which was first implemented by the Howard Government in 2007.

Addressed by the media as the “emergency intervention”, the NTER automatically suspended all existing Aboriginal land rights across 70 remote communities in the Northern Territory due to “widespread child abuse” – a claim made by the Indigenous Affairs Minister at the time, Mal Brough.

However, after an 18-month investigation from the ACC, they concluded that there was not one shred of evidence to support “organised paedophilia in Indigenous communities”. A shocking finding that proved that racism was still well and truly alive in Australian politics.

Source: Flickr

Looking at the complex issue of indigenous rights in Australia – with the NTER as a catalyst – the film aptly examines the ongoing policies of assimilation, while explaining the real issues underlying Indigenous disadvantage in the country that gives everyone a “fair go”.

Our Generation is very much a call to action for a new generation of Australians, to ignite the spark of a much-needed discussion.

Occupation: Native

Source: NYADIFF

Back in school, do you remember learning about the massacres that took place against Indigenous Australians in the years following Captain Cook’s arrival? Probably not.

Aboriginal filmmaker, Trisha Morton-Thomas, bites back at the historical narrative that Captain Cook “discovered” Australia and claimed the land “peacefully” with her humorous yet serious filmic fact-check.

Using satire to her advantage, Trisha Morton-Thomas adjusts this traditional viewpoint that we are taught in schools to explore themes of historical acceptance, untold history, the frontier wars, and slavery.

Occupation: Native proves that there are always two sides to one story, and by doing so cleverly, tells the forgotten history of Aboriginal Australia’s fight against white domination.

Utopia

Source: The Northern Star

When Kevin Rudd apologised to Australia’s Indigenous population in 2008 for “indignity and degradation” to their people, they thought perhaps it heralded a new era of race relations.

Unfortunately, twelve years, and countless ‘good-willed’ efforts later, not a lot has changed.

Made by award-winning journalist and filmmaker, John Pilger, Utopia brings the plight of Indigenous Australia to the big screen, addressing issues like The Stolen Generation, deaths in custody, and the NTER intervention.

At centre stage, however, is the poverty experienced by those living in the communities of Utopia – an Indigenous region in Northern Territory that is without basic services like proper housing and running water.

For those looking to educate themselves on the widespread disadvantage experienced by Indigenous Australians, Utopia is a great place to start.

“Utopia will live forever and be like a fire stick in the darkness for all generations to come the more you view it, the more you see it, we are proud of you.”

Noongar elder, Robert Eggington

Kanyini

Directed by Melanie Hogan, ‘Kanyini’ is a story told by Uncle Bob Randall, an elder of the Anangu people who resides next to the monolithic Uluru. Based on his own personal journey and the wisdom he learned from his own people, Uncle Bob tells us why Indigenous people are now struggling in a modern world bound by white laws.

Source: WIILPA

In a simple but effective way, Uncle Bob Randall explains the Anangu people′s relationship to all that is around them, and how white settlement led to the disruption of a 40,000 year old culture and a philosophy that underpinned Aboriginal life – Kanyini.

Kanyini teaches us about the people who are at the heart of our country and their unbreakable connection to the land, while holding up a mirror to the white man’s unspoken past.

Watch the film, here.

REVIEW: Ride Like a Girl


Michelle Payne’s historic 2015 Melbourne Cup win has been forever immortalised thanks to actress/director Rachel Griffiths. 

The win saw Payne become the first female jockey to win the prestigious race in its 155year history. The film begins in the starting gates on that momentous day in 2015, before flashing back to Payne’s early life from which the story begins.

The film is packed with phenomenal Australian and international talent including Australia’s sweetheart Teresa Palmer as Michelle, Sullivan Stapleton as Melbourne Cup winning trainer Darren Weir, Brooke Satchwell as Therese Payne Michelle’s older sister and veteran Sam Neill who plays father, Paddy Payne. It also sees the acting debut of Stevie Payne who does an exceptional job bringing his sister’s story to life on screen. 

You would never know this is Griffiths’ first time directing a feature film after spending a decade in front of the camera. From heartstopping racing to extraordinary shots that showcase Victoria’s beautiful landscape, she really is a natural director. 

From a young child dreaming of winning the Melbourne Cup to a fall that almost ended her career, the ups and downs of this heart-warming real-life story is one for the ages. 

No matter your age or gender, whether you’re a horse lover or not, ‘Ride Like a Girl’ is about much more than a horse race. It shows that with determination, hard work and persistence you can achieve anything you put your mind to. 

5 must-see movies if you liked Joker


There’s no denying that Todd Phillips‘ direction of Joker is largely rooted in some of Hollywood’s most renowned films. One of the best things about the film, however, is that draws from an array of different themes and genres. Whether it be psychological thriller or dark comedy, Joker successfully incorporates a whole lot of style into its two-hour dark journey, all while paying homage to a list of Hollywood classics.

Below is a list of 5 must-see movies if you enjoyed Joker!

1. The Man Who Laughs (1928)


In a recent interview with IGN, Joker director, Todd Phillips explicitly cites this as one of the films that he and co-writer Scott Silver drew from, and he claims it was a coincidence that it happens to be an original inspiration for the Joker character.

“I think you have to start with ‘The Man Who Laughs,’ which is a silent film that really was a huge inspiration for us and oddly was a huge inspiration for the original creators of Joker, which we didn’t even know, believe it or not, as silly as that sounds. At the time we were like, let’s look at that.”

Todd Phillips, 2019

The Man Who Laughs is an adaptation of Victor Hugo’s 1869 novel and is unquestionably a direct inspiration for the creation of the Joker for the comics in 1940. Regarded as a romantic melodrama, The Man Who Laughs is known for the character, Gwynplaine: a carnival character with a disfigured, freak-like grin inflicted by a surgeon named Dr. Hardquannone.

Roger Ebert stated, “The Man Who Laughs is a melodrama, at times even a swashbuckler, but so steeped in Expressionist gloom that it plays like a horror film.”

Similar to Arthur Fleck in Joker, Gwynplaine is a poor, clown-like professional who has grown up to endure a large degree of hardship. Unlike Joker, however, the film ends tragically with Gwynplaine drowning himself following the death of Dea, the girl he fell in love with at an early age.


2. The King of Comedy (1982)


Phillip‘s concept for Joker seems to stem largely from The King of Comedy – a Martin Scorcese classic that tells the story of Rupert Pupkin, a stand-up comic wannabe who aspires to perform on Jerry Langford’s Tonight Show program.

Much like Arthur Fleck, Pupkin fantasises about being admired his favourite talk show host – a fantasy which leads to Pupkin kidnapping Langford and demanding airtime for ransom.

Similar to Arthur Fleck, Pupkin is also an atrocious stand-up comedian and lacks the basic understanding of how jokes work. One could attribute this to their inability to empathise with their audience and the general understanding of human emotion – a trait that is absent amongst sociopathic characters like Fleck and Pupkin.

To make the connection between “Joker” and “King of Comedy” clear, Phillips cast De Niro in the Jerry Lewis-style role of Murray Franklin.



3. Taxi Driver (1976)


Another Martin Scorcese classic that inspired Joker is the 1976 crime-thriller, Taxi Driver. Ever since the inception of Joker, Todd Phillips has made it clear that Martin Scorcese was a major influence behind Joker, and if you’ve seen the film, you’ll understand how.

Much like Joker, Taxi Driver is largely set in the lower-class suburbs of a metropolis environment, with littered streets and dim street lighting serving as an added backdrop.
Like Arthur Fleck, the protagonist of Taxi Driver also resides in a dilapidated apartment overlooking New York city.

Another direct similarity is their personality. Both men are downtrodden souls who have become consumed by their own desires. The first is their desire to assassinate a popular media figure, and the second is their desire to date beautiful, unattainable woman.

The “Taxi Driver” influence in “Joker” is so heavy that Phillips even has Zazie Beetz‘s character imitate Travis Bickle’s gun-to-the-head shooting motion with her hand.


4. You Were Never Really Here (2017)


Much like Phoenix‘s character in Joker, You Were Never Really Here depicts a disturbed individual by the name of Joe who goes to extremely violent lengths to achieve his goals.

In the film, Phoenix plays a jaded war veteran who after a series of traumatic events decides to pursue a life of morally-justified violence, working as an antihero vigilante rescuing trafficked girls.

More accurately, You Were Never Really Here displays an almost-warped version of Arthur Fleck, where violence and brutal acts are intended for good instead of evil.

Similar to Arthur Fleck, Joe comes from a background of abuse.
From the beginning of the film, we witness Joe hiding in his bedroom wardrobe while his father abuses his mother. But despite the deeply-rooted dark atmosphere that exists throughout the film’s entirety, there are still moments of sweetness. Much like Joker, these moments are mainly short but sweet exhibits of Joe and his mother engaging in mother-and-son activities.



5. Dog Day Afternoon (1975)


The admiration both Phillips and Silver had for gritty crime-thrillers that came out of 1970’s Hollywood is more than obvious. When they conceived the idea for Joker, they were immediately drawn to this era of Hollywood – an era which is largely recognised for its list of grimy, crime-ridden films that glamorise lower-class anti-heroes.

One particular touchstone of 1970s cinema that Phillips used to pitch Joker to Warner Bros was Sidney Lumet’s, Dog Day Afternoon.

Starring Al Pacino, the film revolves around a man who decides to rob a bank only to become a famed celebrity when the hostage situation gains national attention.

Similar to Joker, the Oscar-winning script does a tremendous job depicting a character that is pinched by his social upbringing. Regarded as one of the best movies of 1970s, Dog Day Afternoon is filled with violence, grit and social commentary – a staple to producing a film in the same vein as Dog Day Afternoon.

Win tickets to Zombieland: Double Tap!


“My mama always told me someday I’d be good at something. Who’d a guessed that something’d be zombie-killing?” Tallahassee (Woody Harrelson, Zombieland)


Everyone’s favourite zombie-killing squad is back for another double-tap this Spring!

Starring Woody Harrelson, Jesse Eisenberg, Abigail Breslin and Emma Stone, the famed team has reunited with director Ruben Fleischer and the original writers Rhett Reese and Paul Wernick to unleash perhaps this Spring’s most bloody and anticipated film.

Written by Rhett Reese & Paul Wernick and Dave Callaham, Zombieland: Double Tap will see the four zombie slayers traverse across the baron, zombified landscape that was the US to face off against the many new kinds of zombies that have evolved since the first movie, as well as some new human survivors. But most of all, they have to face the growing pains of their own snarky, makeshift family.

Just like the original featured prominent locations like Bill Murray’s luscious mansion, Zombieland: Double Tap will see comic mayhem stretch from the White House and through the heartland, providing a hilarious backdrop to their extreme zombie hunting methods.

What’s even better about the release of Zombieland: Double Tap is YOU have the chance of winning free tickets to a very special preview in your nearest city.




To win a double pass to a very special preview screening of Zombieland: Double Tap in Sydney, Melbourne, Brisbane, or Perth on October 16, all you have to do is answer this very simple question: which Hollywood superstar did the gang encounter in the first Zombieland movie?

All you have to do to go in the draw to win is email your answer to competitions@filmink.com.au. Winners will be notified of exact venue and timing details in each city.

Best of luck!