4 documentaries that will educate you on black oppression in Australia

While Australia throws stones at the US for its ongoing racist police brutality, we should first scratch beneath the surface of our own history and social fabric to acknowledge the injustices Australian Aboriginals continue to experience.

Forget the ‘lucky country’ bullshit; if you’re unaware of how the rights of Indigenous Australians are being undermined, it’s time to educate yourself.

Take for instance the final words of 26-year-old Dunghutti man, David Dungay Jr, who died in a south-eastern Sydney prison in 2015 after prison officers restrained him and left him unable to breathe.

An inquest in 2019 showed footage of Mr Dungay being restrained face down by up to five jail officers as he yelled “I can’t breathe” twelve times.

Not only did this case fail to pierce the public sphere and gain media attention, but it also failed to result in disciplinary legal action. But, is this a surprise?

Since 1980, despite there being more than 500 First Nations deaths in custody, there has been not one successful homicide prosecution laid down in court.

However, police brutality is just a sliver of what First Australians have had to endure since colonisation – ever since the flag was hoisted in Botany Bay in 1770, the plight of the Aborigine has remained constant.

From one of the darkest chapters of Australian history – the stolen generations – to the ongoing scourge of forced remote community closures, our country’s paternalistic approach to policy has restricted Indigenous Australians from retaining their cultural identity.

To provide a broader perspective, we’ve compiled a list of 4 documentaries that investigate some of the issues underlying current Aboriginal disadvantage.

Our Generation

Our Generation is a documentary feature from Sinem Saban and Damien Curtis that takes us on a journey into white Australia’s relationship with Indigenous Australians.

More particularly, it looks at the Northern Territory Emergency Response (NTER), which was first implemented by the Howard Government in 2007.

Addressed by the media as the “emergency intervention”, the NTER automatically suspended all existing Aboriginal land rights across 70 remote communities in the Northern Territory due to “widespread child abuse” – a claim made by the Indigenous Affairs Minister at the time, Mal Brough.

However, after an 18-month investigation from the ACC, they concluded that there was not one shred of evidence to support “organised paedophilia in Indigenous communities”. A shocking finding that proved that racism was still well and truly alive in Australian politics.

Source: Flickr

Looking at the complex issue of indigenous rights in Australia – with the NTER as a catalyst – the film aptly examines the ongoing policies of assimilation, while explaining the real issues underlying Indigenous disadvantage in the country that gives everyone a “fair go”.

Our Generation is very much a call to action for a new generation of Australians, to ignite the spark of a much-needed discussion.

Occupation: Native

Source: NYADIFF

Back in school, do you remember learning about the massacres that took place against Indigenous Australians in the years following Captain Cook’s arrival? Probably not.

Aboriginal filmmaker, Trisha Morton-Thomas, bites back at the historical narrative that Captain Cook “discovered” Australia and claimed the land “peacefully” with her humorous yet serious filmic fact-check.

Using satire to her advantage, Trisha Morton-Thomas adjusts this traditional viewpoint that we are taught in schools to explore themes of historical acceptance, untold history, the frontier wars, and slavery.

Occupation: Native proves that there are always two sides to one story, and by doing so cleverly, tells the forgotten history of Aboriginal Australia’s fight against white domination.

Utopia

Source: The Northern Star

When Kevin Rudd apologised to Australia’s Indigenous population in 2008 for “indignity and degradation” to their people, they thought perhaps it heralded a new era of race relations.

Unfortunately, twelve years, and countless ‘good-willed’ efforts later, not a lot has changed.

Made by award-winning journalist and filmmaker, John Pilger, Utopia brings the plight of Indigenous Australia to the big screen, addressing issues like The Stolen Generation, deaths in custody, and the NTER intervention.

At centre stage, however, is the poverty experienced by those living in the communities of Utopia – an Indigenous region in Northern Territory that is without basic services like proper housing and running water.

For those looking to educate themselves on the widespread disadvantage experienced by Indigenous Australians, Utopia is a great place to start.

“Utopia will live forever and be like a fire stick in the darkness for all generations to come the more you view it, the more you see it, we are proud of you.”

Noongar elder, Robert Eggington

Kanyini

Directed by Melanie Hogan, ‘Kanyini’ is a story told by Uncle Bob Randall, an elder of the Anangu people who resides next to the monolithic Uluru. Based on his own personal journey and the wisdom he learned from his own people, Uncle Bob tells us why Indigenous people are now struggling in a modern world bound by white laws.

Source: WIILPA

In a simple but effective way, Uncle Bob Randall explains the Anangu people′s relationship to all that is around them, and how white settlement led to the disruption of a 40,000 year old culture and a philosophy that underpinned Aboriginal life – Kanyini.

Kanyini teaches us about the people who are at the heart of our country and their unbreakable connection to the land, while holding up a mirror to the white man’s unspoken past.

Watch the film, here.

Casey Barnes Continues Hot Streak With #1 Australian Country Album

Casey Barnes is continuing a hot streak with his new album ‘Town Of A Million Dreams’ rocketing to the top of the charts debuting as the #1 Australian Country album on the ARIA Chart.

Celebrating a whole slew of wins, ‘Town Of A Million Dreams’ landed at #16 on the Albums Chart, #4 on the Australian Albums Chart and #2 on the Country Albums Chart.

‘Town Of A Million Dreams’ also took the top spot at #1 on the AIR 100% Indie Album Chart and #2 on the AIR Indie Label Albums Chart.

The album is the #1 album across all genres on the iTunes Chart, has already been streamed over 2.34 million times, and landed Casey on the front cover of Amazon’s Country Hits.

Casey is set to continue the celebrations later this week with four nominations at the Gold Coast Music Awards in the categories; Artist Of The Year, Live Act Of The Year, Song Of The Year and Video Of The Year.

‘Town Of A Million Dreams’ offers a much-needed hiatus of hope and happiness with a glorious injection of 10 superbly crafted tracks that meld slick country, pop and rock production with relatable lyrics that can’t help but make you smile.

The lead single Sparks Fly has ignited across Australia, holding the top spot on The Music Network’s Hot Country chart for four weeks out of five weeks, showing some strong competition against The Dixie Chicks latest Gaslighter, and rose to the top of Australian Country Radio’s Top 10 chart twice since release.

Sparks Fly centres on that magical moment when you look at someone and they look at you and you both have that instant ‘spark’.  A feeling that’s hard to beat! It was inspired while on a writing trip in the U.S last year where I teamed up with Nashville based songwriters Brown & Gray and we tapped into the back story of when I first met my wife… and that initial chemistry between the two of us,” said Casey.

The album features the chart-topper A Little More, which has generated over a million streams and peaked at #2 on The Music Network Hot Country Chart, and a gorgeous number with Missy Lancaster, No Other You that Stack Magazine’s Jeff Jenkins called “one of the year’s finest ballads”.

“‘Town of A Million Dreams’ is an album title that leaves it’s interpretation up to the individual listener and that’s the beauty behind this album; how in essence everybody starts out in their own home town with hopes and dreams of where they want to be,” said Casey. “On a personal level, the title is a lyric drawn from one of the tracks on the album ‘Bright Lights’ which focuses on my ongoing relationship and love of Nashville over the last 10 years. It’s this incredible melting pot of talent, from all genres. Musicians, artists, producers all with their own unique story and dream. It just felt like the perfect title for the album.”

Continuing on with high energy, Casey has captured his fans with new and creative ways to stay connected during the harrowing atmosphere of COVI-19. His live-streamed performances and catch-up chats, hosted every Wednesday and Sunday are consistently reaching over 75, 000 fans.

Looking to the horizon, Casey is thrilled to head out on new dates for his ‘Town Of A Million Dreams Tour’, which will kick off September 17 and takes his stellar band across our beautiful east coast to venues near you.

LISTEN TO ‘TOWN OF A MILLION DREAMS’ HERE!

Here’s What The Used Had To Say About Their Upcoming Album

The Used have officially announced they will be releasing their 8th full length studio album, ‘Heartwork’, on April 24th, after months of anticipation.

As an added bonus for fans, The Used have released the second single from the forthcoming album, “Paradise Lost, a poem by John Milton.”

The song carries emotion and imagery unique to the band, and ties in influences from one of front man Bert McCracken’s favourite authors.

I’ve always been a bit obsessed with Paradise Lost,” shares McCracken.

I really dug deep into the poem and its author, John Milton. As I was reading a lot of his political essays I realized that a lot of what ’Satan’ says in Paradise Lost are quotes directly from John Milton’s own mouth. A lot of people thought he was the devil back then. He had a huge problem with the show of opulence from the Church. He thought it was disgusting. His poem is about the failed revolution against the Church of England, which is Satan’s failed revolution on earth. And what’s more incredible or exciting than a failed revolution?” 

Fans can pre-save the new album and stream the new single today at theused.ffm.to/heartwork.

‘Heartwork’ marks the return of John Feldmann to The Used family as he is producing the album and also the head of A&R at Big Noise.

I couldn’t be more honored or grateful to have one of my favorite bands of all time at my record label! They are one of the most influential bands of the last 20 years and we are making a career-defining album at the  minute,” shares Feldmann. “They are one of the best live bands I’ve ever seen and Bert is quite possibly the best singer I’ve ever worked with. This has been a dream of mine since I met them in 2001.”

Feldmann signed The Used to Reprise Records in January 2002, one year after the band formed in Orem, Utah. He also produced some of the band’s most monumental albums including their self-titled debut, ‘Maybe Memories‘, ‘In Love and Death‘, ‘Lies for the Liars , ‘Vulnerable and ‘Imaginary Enemy‘.

According to McCracken,

The new album plays on the emotions, the sincerity, and the vulnerability of the first record and In Love and Death, with a little bit of the flair from Lies for the Liars.“”Standing in the streaming circle pit with Kesha and Halsey, the album is just as modern sounding. John Feldmann’s production is that professional. It sounds really good. Those are two really random examples, but I think if you listen to both of those records, the songs are all over the place: dance, pop, actual punk rock riffs and drums. I think music is so all over the place right now that The Used fits in perfectly.”

It’s been almost twenty years since The Used blessed the alternative-rock scene with their high energy live shows, gut wrenching relatable lyrics, and melodies that blended pop sensibility and hard rock.

For more information about The Used, go to www.TheUsed.net.

Harroway vocalist opens up about band’s origins


Originating from a musical background, 26-year-old Sydney based vocalist Matthew Banks formed Harroway due to a passion for music.

Before he started his band, Mr Banks’ father had an assortment of guitars around the house.

“Dad always had guitars around the house, but he never really played to us.

“They were just there.”

However, this all changed once his older brother started high school and chose music as an elective, which meant the guitars found usage.

Soon, Mr Banks was approached by his brother to play the bass, where he learned to play the instrument and “progressed into vocals from there,”

His first foray into the world of metalcore was with the album “in love and death” by used, along with Eminem.

Mr Banks was blown away by what he was listening to.

“I’m really digging these aggressive screams with this clean beautiful vocals.”

Soon, his brother introduced him to Trivium, which made him realise that “this is where metalcore is at.”

When he started high school, Mr banks joined a metalcore band.

 “All the members have been part of a band throughout our teenage and young adult lives,

“Me, Marcus and Jordan were originally from a band called Maybe I’ll live Forever and Jesse was from a band called Like Royals and Alex was from a band called Isotopes.”

Harroway soon evolved from Maybe I’ll live Forever after two of the band members left.

At the time, Mr Banks was between bands and was shown a sample of the band’s music by Jordan, who he met at a local chicken shop.

“A day later, he hit me up and was like ‘hey, our vocalist is leaving, do you want to join?

“Well, I am not doing anything, so **** it, why not?”

The band soon decided to go for a professional approach.

“When I go into these things, I like to do them as best as I can, in a professional sense.

“It’s a more mature and evolved sound.

“It was a massive step up from what we were doing back then.”

As such, Mr Banks said that Maybe I’ll Live Forever “helped us hone our craft and the execution.”

Speaking on the process of song creation, Mr Banks admits that the writing process “stretched out over a good couple of months.”

“if we’re not 100% happy with the execution, we’ll do it again and again until we get this out.”

This saw the whole band work together to create a song, which involved Marcus writing the riffs, Mr Banks writing the lyrics and melodies and Jordan serving as an aide.

The band sat in a room and worked together to create ideas from a variety of topics.

“I’m trying to branch out and take a more rapper approach with how I write lyrics,

“They don’t just write about themselves, they can tell stories, they can do everything.”

Some of the topics involve the struggle of humanity, relationship issues and “stuff on blackholes and outerspace.”

“I don’t want to be limited to what I can do and what I can write about.

“A lot of my inspirations comes from wanting to fix my mental space.

“I’ve been struggling with depression my entire life and never got away.

“It’s not one of those things were it’s situational and my brain doesn’t register emotions properly.”

“Everything is my inspiration.”

Harroway is currently creating more songs and is working on their timeline on when to release.

“Shine” is available now on all major streaming platforms.

Gulgong lights up with New Year’s Eve festival


With New Year’s Eve around the corner, a folk festival is being held down at a New South Wales town called Gulgong.

Called the Gulgong Folk festival, live folk music is offered in intimate venues amidst the backdrop of a town rich in gold mining history.

Playing at the festival is a well-known bush band called the BushWackers, who will be heading the festival.

With the majority of their music based on traditional folk and working songs from the early 20th century, the band have incorporated Celtic instrumentals and contemporary original songs such as ‘Leave it in the Ground.’

Appearing alongside BushWackers is Bethany Jolly, a singer-guitarist from Brunswick Heads and Luke Robinson, who has a reputable bass voice and originates from Mullumbimby..

With a variety of workshops and market stalls available, the festival has plenty of entertainment to offer

The festival starts on the 29th of December and finishes on the 31st of December.

For further information, visit www.gulgongfolkfestival.net.au

Queensland Art Gallery displays water exhibition


From immersive experiences to small scale treasures from Australian and international artists, the Queensland Art Gallery is set to highlight environmental and social challenges regarding water usage.

Called ‘water’, the exhibition has plenty of activities and artwork to experience.

The art gallery will be running the exhibition from December 7 to April 26, 2020.

Artist Olafur Eliason contributed to the exhibition and created a vast, rocky riverbed that can be walked across.

Cai Guo-Qiang is another artist that created and contributed a display that shows animals drinking from a waterhole.

Concerned about water usage, ‘water’ curator Geraldine Kirrihi Barlow knew residents loved the gallery for its beauty.

“We know water is a really critical issue today,” she said.

Guided tours for the exhibition are available every day from December 9 and start at 11:00 am.

For further information, visit www.qagoma.qld.gov.au/whats-on/exhibitions/water.

Harroway “shine” with debut single


With intricate guitar work, heavy vocals and catchy cleans, Sydney based metal-core band Harroway have released their debut single ‘Shine’.

The single was recorded in Belleville, New Jersey through Graphics Nature Audio.

‘Shine’ was written as a reminder for both the band and listeners to never give up on their passions and aspirations, no matter how hard life gets.

Harroway vocalist Matt Banks said that the riffs, structures and his mood changed as the song was written.

“The verse became an outlet for the dark personal things I was dealing with at the time – which was basically feelings of not being good enough,” he said.

“I reflected back on all the positive words of encouragement I had received over the years while trying to follow my dreams.”

The single will be released with an accompanying music video that is directed and conceptualised by Third Eye Visuals.

Harroway consists of members originating from bands such as Maybe I’ll Live Forever, Isotopes and Like Royals.

As such, the line up consists of Matt Banks as the vocalist, Marcus Cunich as guitarist and vocalist, Alex Maybury on the guitar, Jordan Sheriff on Bass and Jesse Gallagher on the drums.

‘Shine’ is available now on all digital stores and streaming platforms.

Reside win competition to open Unify 2020


Melbourne based alternative rock/emo five-piece Reside won a Triple J competition to play at the opening of the 2020 Unify Gathering.

Reside will play at the festival alongside The Ghost Inside, Architects, and many other bands.

Unify Gathering will take place at Tarwin Meadows in Gippsland, Victoria and will run from January 9 to January 12.

The event will showcase some of the best bands in rock, metal and punk.

Reside will be playing their EP “The light that I found” on the opening stage of Unify.

They came to attention after their single “replace me” received high praise from Triple J hosts and was immediately added to Spotify playlists, “new punk tracks”, “The scene” and “rock out”.

Triple J staff praised the band for their music, with David Ruby Howe highlighting his love for the band.

There’s a familiarity to their melodic, emo-grun that’ll allow this to slip super easily into your playlist.”

The single has recently been streamed on spotify over 100,000.

However, an EP followed shortly after and proved to be popular, with the launch show at Melbourne’s cherry bar sold out.

Reside soon embarked on a national tour with Emo band Eat Your Heart Out, alongside securing tours and spots for the likes of Palaye Royale, Windwaker and the Beautiful Monument, among many others.

Tickets for Unify Gathering 2020 are on sale now at Moshtix.

REVIEW: Ride Like a Girl


Michelle Payne’s historic 2015 Melbourne Cup win has been forever immortalised thanks to actress/director Rachel Griffiths. 

The win saw Payne become the first female jockey to win the prestigious race in its 155year history. The film begins in the starting gates on that momentous day in 2015, before flashing back to Payne’s early life from which the story begins.

The film is packed with phenomenal Australian and international talent including Australia’s sweetheart Teresa Palmer as Michelle, Sullivan Stapleton as Melbourne Cup winning trainer Darren Weir, Brooke Satchwell as Therese Payne Michelle’s older sister and veteran Sam Neill who plays father, Paddy Payne. It also sees the acting debut of Stevie Payne who does an exceptional job bringing his sister’s story to life on screen. 

You would never know this is Griffiths’ first time directing a feature film after spending a decade in front of the camera. From heartstopping racing to extraordinary shots that showcase Victoria’s beautiful landscape, she really is a natural director. 

From a young child dreaming of winning the Melbourne Cup to a fall that almost ended her career, the ups and downs of this heart-warming real-life story is one for the ages. 

No matter your age or gender, whether you’re a horse lover or not, ‘Ride Like a Girl’ is about much more than a horse race. It shows that with determination, hard work and persistence you can achieve anything you put your mind to. 

A chapter called Children of Bodom


After 25 years playing with Children of Bodom, Bassist Henkka Blacksmith, Keyboard player Janne Warman and drummer Jaska Raatikainen will leave the band on December 15.

“2019 will be the last for Children of Bodom with this line-up,” the band said in a statement.

Best known as Finland’s top-selling melodic death metal band, the band have thousands of shows and 10 albums underneath their belts.

When asked for the reason, the three band members said they have decided to change the direction of their lives.

Regarding the future of the band, lead guitarist and vocalist Alexi Laiho and guitarist Daniel Freyberg will announce their plans to in due time.

Mr Raatikainen was saddened by the news and wished the update was different.

“I feel so bad for you all, yet so grateful to have seen so many of you.

“I salute you for your support towards me.” Mr Raatikainen said.

The last show will be on December 15 at Helsinki Ice Halls, with the 2020 special show of Hate Crew Deathroll at Tuska cancelled.

For further information, visit www.cobhc.com.